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Sexualité --- Films érotiques --- Sex in motion pictures. --- Erotic films --- Au cinéma --- Histoire et critique --- History and criticism. --- History and criticism --- Au cinéma. --- Histoire et critique. --- Sexology --- Film --- anno 1900-1999 --- United States --- United States of America --- Movies --- Sexuality --- Book --- Imaging
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De Nederlandse schrijfster Maria Dermoût werd in 1888 geboren op Midden-Java. In 1933 verliet zij het voormalige Nederlands-Indië en vestigde zich in Nederland, waar zij tot aan haar dood leefde en werkte. Na haar repatriëring keerde zij nooit terug naar 'Indië', het latere Indonesië. Toch bleef haar werk doordrenkt van de sfeer van haar geboorteland, net omdat het ontstond vanuit een gevoel van ontheemding. De lotgevallen van in Nederlands-Indië geboren en/of verblijvende Nederlanders , vormden het centrale thema van haar oeuvre. Met haar boek 'De tienduizend dingen' leverde zij één van de hoogtepunten van de Nederlands-Indische en Nederlandse literatuur af. In 1958 en de daaropvolgende jaren verschenen wereldwijd vertalingen en het boek voerde wekenlang de bestsellerlijsten aan in Amerika. Kester Freriks reisde voor deze biografie door het hedendaagse Indonesië op zoek naar sporen van het leven en het werk van Maria Dermoût. Hij kon tijdens het bijeensprokkelen van biografische gegevens de hand leggen op nooit eerder gebruikte documenten, waaronder het dagboek dat de schrijfster de laatste jaren van haar leven bijhield.
Dermoût, Maria --- Netherlands --- Indonesia --- Authors, Dutch --- Dutch --- DERMOUT (MARIA), 1888-1962 --- LITTERATURE INDONESIENNE DE LANGUE NEERLANDAISE --- HISTOIRE ET CRITIQUE --- Writers --- Biography --- Book
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English literature --- Literature --- Littérature anglaise --- Ecrits de femmes --- Women authors --- History and criticism --- Periodicals. --- Femmes écrivains --- Histoire et critique --- Périodiques --- Arts and Humanities. --- General and Others --- History --- Society and Culture. --- Arts and Humanities --- Society and Culture
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This Companion, first published in 2000, addresses the work of women playwrights in Britain throughout the twentieth century. The chapters explore the historical and theatrical contexts in which women have written for the theatre and examine the work of individual playwrights. A chronological section on playwriting from the 1920s to the 1970s is followed by chapters which raise issues of nationality and identity. Later sections question accepted notions of the canon and include chapters on non-mainstream writing, including black and lesbian performance. Each section is introduced by the editors, who provide a narrative overview of a century of women's drama and a thorough chronology of playwriting, set in political context. The collection includes essays on the individual writers Caryl Churchill, Sarah Daniels, Pam Gems and Timberlake Wertenbaker as well as extensive documentation of contemporary playwriting in Wales, Scotland and Northern Ireland, including figures such as Liz Lochhead and Anne Devlin.
English literature --- Drama --- anno 1900-1999 --- English drama --- Feminism and literature --- Women and literature --- Women authors --- History and criticism. --- History --- Femmes et littérature --- Théâtre anglais --- Histoire --- Femmes écrivains --- Histoire et critique --- Great Britain --- History and criticism --- 20th century --- English --- English Literature --- Languages & Literatures --- THEATRE (GENRE LITTERAIRE) ANGLAIS --- FEMINISME ET LITTERATURE --- FEMMES ET LITTERATURE --- FEMMES ECRIVAINS --- HISTOIRE ET CRITIQUE --- GRANDE-BRETAGNE --- 20E SIECLE --- Feminism --- Writers --- Theatre --- Book
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In the 1970s, feminists focused critical attention on fairy tales and broke the spell that had enchanted readers for centuries. By exposing the role of fairy tales in the cultural struggle over gender, feminism transformed fairy-tale studies and sparked a debate that would change the way society thinks about fairy tales and the words "happily ever after". Now, after three decades of provocative criticism and controversy, this book reevaluates the feminist critique of fairy tales.
Sociology of the family. Sociology of sexuality --- Folklore --- Sociology of literature --- sprookjes --- feminisme --- gender --- jeugdliteratuur --- Contes de fées --- Critique féministe. --- Fairy tales --- Fairy tales. --- Feminism and literature. --- Feminist literary criticism. --- Féminisme et littérature. --- conte de fées --- Histoire et critique. --- History and criticism. --- écrivaine --- 20e s --- études genre --- CONTES DE FEES --- FEMINISME ET LITTERATURE --- CRITIQUE FEMINISTE --- HISTOIRE ET CRITIQUE --- Feminism --- Gender --- History --- Gender roles --- Literature --- Writers --- Images of women --- Women's studies --- Book
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Dit boek plaatst vrouwen centraal die niet meteen beantwoorden aan het beeld van de klassieke, lijdende Hollywood-heldin met idelale maten. Meer bepaald worden twee vrouwen belicht die bepaald uit de band springen, de comédienne Roseanne Arnold en het geëmancipeerde varken Miss Peggy. Voorts wordt een diachronisch overzicht van de evolutie van de romantische filmkomedie geboden. Daaruit blijkt dat, dankzij onder meer historische rollen van Katharine Hepburn, Barbara Stanwyck en Marilyn Monroe, een alternatieve, krachtige en dus realistischer representatie van de vrow toch veld begint te winnen ten nadele van de vrouw uit het antieke Hollywoodmelodrama.
Femmes --- Féminisme et cinéma --- Comédies (cinéma) --- Télévision --- Au cinéma --- Histoire et critique --- A la télévision --- Émissions comiques --- Comedy films --- Feminism and motion pictures. --- Television comedies --- Women in motion pictures. --- Women on television. --- History and criticism. --- Developmental psychology --- Sociology of culture --- Film --- Sociology of the family. Sociology of sexuality --- Mass communications --- United States --- Féminisme et cinéma. --- Au cinéma. --- Histoire et critique. --- United States of America --- Movie review --- Movies --- Humour --- Masculinity --- Popular culture --- Television --- Images of women --- Book
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History --- Literature --- Netherlands --- Dutch literature --- Women and literature --- Foreign influences --- Women authors --- History and criticism --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Flemish literature --- Women authors&delete& --- Foreign influences. --- History and criticism. --- Dutch literature - Foreign influences --- Women and literature - Netherlands - History --- Literature - Women authors - History and criticism --- Femmes et littérature --- Letterkunde. --- Littérature néerlandaise --- Receptie. --- Vrouwelijke auteurs. --- Wereldliteratuur. --- Women and literature. --- Écrits de femmes --- Histoire --- Women authors. --- Influence étrangère. --- Histoire et critique. --- Netherlands. --- FEMMES ET LITTERATURE --- FEMMES ECRIVAINS --- LITTERATURE NEERLANDAISE --- LITTERATURE EUROPEENNE --- PAYS-BAS --- RESEAUX SOCIAUX --- HISTOIRE --- HISTOIRE ET CRITIQUE --- International --- Networks --- Writers --- Women's literature --- Book
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Ovid's Art and the Wife of Bath examines how Ovid's Ars amatoria shaped the erotic discourses of the medieval West. The Ars amatoria circulated in medieval France and England as an authoritative treatise on desire; consequently, the sexualities of the medieval West are haunted by the imperial Roman constructions of desire that emerge from Ovid's text. The Ars amatoria ironically proposes the erotic potential of violence, and this aspect of the Ars proved to be enormously influential. Ovid's discourse on erotic violence provides a script for Heloise's epistolary expression of desire for Abelard. The Roman de la Rose extends the directives of the Ars with a rhetorical flourish and poetic excess that tests the limits of Ovidian irony. While Christine de Pizan critiqued the representations of erotic violence in the Rose, Chaucer appropriates the Ovidian discourse from the Roman de la Rose to construct the Wife of Bath-a female figure that today's readers find uncannily familiar. Well written and provocative, this book will interest scholars of premodern literature, especially those who work on Medieval English and French, as well as classical, texts. Marilynn Desmond draws on feminist and queer theory, which places Ovid's Art and the Wife of Bath at the cutting edge of debates in gender and sexuality.
Literature, Medieval --- Sadomasochism in literature. --- Littérature médiévale --- Sadomasochisme dans la littérature --- History and criticism. --- Histoire et critique --- Ovid, --- Chaucer, Geoffrey, --- Influence --- Roman influences. --- Influence. --- Littérature médiévale --- Sadomasochisme dans la littérature --- Fiction --- Social problems --- Sexology --- Sociology of the family. Sociology of sexuality --- anno 500-1499 --- Antiquity --- European literature --- Medieval literature --- LITTERATURE ANGLAISE --- OVIDE (PUBLIUS OVIDIUS NASO), POETE LATIN, 43 AV. J.-C. - 17 AP. J.-C. --- CHAUCER (GEOFFREY), 1340-1400 --- 1100-1500 (MOYEN-ANGLAIS) --- HISTOIRE ET CRITIQUE --- INFLUENCE CLASSIQUE --- L'ART D'AIMER --- CANTERBURY TALES --- Violence --- Love --- Literature --- Sexuality --- Book --- Eroticism
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Bundeling van zestien interviews met Nederlandse en Vlaamse vrouwelijke auteurs. Zij praten over wat hen heeft aangezet om te schrijven en wat hen ook nu nog drijft, over de pijn en het genoegen van het schrijversvak, maar ook over hun jeugd, over liefde en relaties. Onder de geïnterviewden : Connie Palmen, Hella Haasse, Monika Van Paemel, Charlotte Mutsaers, Margriet de Moor.
Authors, Dutch --- Authorship. --- Dutch literature --- Women and literature --- Women authors, Dutch --- Interviews. --- Women authors --- History and criticism. --- History --- Interviews --- Thematology --- Dessaur, Catharina I. --- Dorrestein, Renate --- Enquist, Anna --- Hemmerechts, Kristien --- Loo, de, Tessa --- Portnoy, Ethel --- Noordervliet, Nelleke --- Meer, van der, Vonne --- Palmen, Connie --- Mutsaers, Charlotte --- Moor, de, Margriet --- Haasse, Hella --- Graaf, de, Hermine --- Paemel, van, Monika --- Belgium --- Netherlands --- Dutch literature: authors --- Pessers, Dorien --- Biography: 1900-1999 --- Brinkgreve, Christine --- FEMMES ET LITTERATURE --- LITTERATURE FLAMANDE --- LITTERATURE NEERLANDAISE --- Littérature néerlandaise --- BELGIQUE --- PAYS-BAS --- FEMMES ECRIVAINS --- ENTRETIENS --- 20e siècle --- Histoire et critique --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- Writers --- Book
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De auteur legt zich in dit onderzoek toe op de vraag of er wel of niet hiërarchiserende genderopvattingen te vinden zijn in de receptie van het Nederlandse proza in de opeenvolgende fasen van literatuurkritiek, essayistiek, literatuurwetenschap en literatuurgeschiedenis tussen 1945 en 1960. Komen daar ideeën in voor over mannen en mannelijkheid, en vrouwen en vrouwelijkheid? Zo ja, verbindt men daar een waardering aan, geldt het eerste als beter dan het tweede? Valt met andere woorden de genderspecifieke receptie van literatuur in het voordeel van mannen en in het nadeel van vrouwen uit? In haar onderzoek toont Marianne Vogel aan dat de critici wel degelijk verschil maakten: in een hardnekkig 'baard-boven-baard'-gevecht werd een mannelijke tophiërarchie gevestigd. Tevens laat Vogel het verband zien tussen de genderopvattingen in de literatuurkritiek en de genderopvattingen in de ruimere literaire context en in het maatschappelijke leven van die periode.
Dutch literature --- anno 1940-1949 --- anno 1950-1959 --- Netherlands --- 839.3 "19" --- Nederlandse literatuur--20e eeuw. Periode 1900-1999 --- Theses --- 839.3 "19" Nederlandse literatuur--20e eeuw. Periode 1900-1999 --- PAYS-BAS --- Littérature néerlandaise --- VIE INTELLECTUELLE --- 20E SIECLE --- 20e siècle --- Histoire et critique --- Gender --- Comparative literature --- Literary criticism --- Book
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